{"id":34887,"date":"2026-01-27T15:24:35","date_gmt":"2026-01-27T09:54:35","guid":{"rendered":"https:\/\/gjepc.org\/solitaire\/?p=34887"},"modified":"2026-01-27T15:24:35","modified_gmt":"2026-01-27T09:54:35","slug":"jagdish-jewellers-chandigarh-preserving-inheritance-of-punjabi-craftsmanship","status":"publish","type":"post","link":"https:\/\/gjepc.org\/solitaire\/jagdish-jewellers-chandigarh-preserving-inheritance-of-punjabi-craftsmanship\/","title":{"rendered":"Jagdish Jewellers Chandigarh: Preserving inheritance of Punjabi Craftsmanship"},"content":{"rendered":"<p><em>In the legendary courts of erstwhile princely Punjab, a jeweller\u2019s reputation rested on time-honoured craftsmanship, integrity, and the rare quality of gemstones. It was an era when, for the jeweller, customer satisfaction in the form of genuine appreciation took precedence over commercial gains. Jagdish Jewellers, Chandigarh, is a heritage jewellery house that once served the royals of Patiala, continues to uphold that ethos, serving modern-day connoisseurs with the same discipline with which it served its royal patrons. In an interview with<\/em> Shilpa Dhamija, <strong>Susham Singla,<\/strong> <em>the eighth-generation custodian of the jewellery brand, reflects on why preserving the inheritance of Punjabi master craftsmanship continues to be the brand\u2019s priority over the frantic pursuit of scale. \u00a0<\/em><\/p>\n<figure id=\"attachment_34889\" aria-describedby=\"caption-attachment-34889\" style=\"width: 555px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-34889 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Susham-Sangla-668x1000.jpg\" alt=\"\" width=\"555\" height=\"831\" data-sizes=\"auto\" data-srcset=\"https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Susham-Sangla-668x1000.jpg 668w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Susham-Sangla-684x1024.jpg 684w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Susham-Sangla-100x150.jpg 100w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Susham-Sangla-768x1150.jpg 768w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Susham-Sangla-450x674.jpg 450w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Susham-Sangla-225x337.jpg 225w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Susham-Sangla-20x30.jpg 20w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Susham-Sangla-64x96.jpg 64w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Susham-Sangla.jpg 818w\" sizes=\"auto, (max-width: 555px) 100vw, 555px\" \/><figcaption id=\"caption-attachment-34889\" class=\"wp-caption-text\">Susham Sangla<\/figcaption><\/figure>\n<p><strong>How would you describe your brand\u2019s legacy of serving the Patiala royal family?<\/strong><\/p>\n<p>Our family has worked with the Patiala royal household through many generations. My forefathers and my father shared stories about how they would travel to the palaces in Punjab to receive commissions and design bespoke jewellery. Being based locally, they made many pieces using precious and rare stones, while international houses such as Cartier were primarily engaged for diamond jewellery.<\/p>\n<p>Our strength lay in our access to fine gemstones, and the ability to execute bespoke pieces rooted in Indian techniques. The relationship with the royals was built purely on trust and the consistency in our quality work. These ethics are our inheritance \u2013 winning the customer\u2019s trust through quality, integrity, and honest service.<\/p>\n<p><strong>According to you, how has jewellery-making changed over time? How have consumption patterns of ultra wealthy consumers evolved?<\/strong><\/p>\n<p>Traditionally, a jeweller (<em>Johri) <\/em>in India occupied a defined social position, comparable to that of a doctor or a lawyer. It even reflected in his attire. Back in the day, a respectable jeweller was characterised as much by his conduct as by his craft. His speech was measured, his claims restrained, no exaggeration and no overcommitment. Ethics was central to doing business: correct pricing, no compromise in quality for speedy delivery. Today, however, the industry is largely driven by competition, ROI, and profit.<\/p>\n<p>While buying patterns of consumers have evolved over the years, we still have clients, who have grown up with well-crafted jewellery in their families and are very conscious of quality. They insist on real gemstones and would rather buy fewer pieces than compromise on authenticity.<\/p>\n<p>Historically, royals had refined taste, elegance, and nurtured close connections with jewellers. They purchased jewellery for personal satisfaction and courtly display, not for public approval. While today\u2019s ultra-wealthy consumers possess the means, they tend to navigate the market through the lens of stylists and social media, whereas the discernment of historical royals was perhaps more intuitive. Of course, today there are still some contemporary consumers who buy jewellery for themselves like the royals did.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-34890 aligncenter lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/1-5-668x1000.jpg\" alt=\"\" width=\"551\" height=\"825\" data-sizes=\"auto\" data-srcset=\"https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/1-5-668x1000.jpg 668w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/1-5-684x1024.jpg 684w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/1-5-100x150.jpg 100w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/1-5-768x1150.jpg 768w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/1-5-450x674.jpg 450w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/1-5-225x337.jpg 225w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/1-5-20x30.jpg 20w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/1-5-64x96.jpg 64w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/1-5.jpg 818w\" sizes=\"auto, (max-width: 551px) 100vw, 551px\" \/><\/p>\n<figure id=\"attachment_34891\" aria-describedby=\"caption-attachment-34891\" style=\"width: 577px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-34891 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Bridal-2-667x1000.jpg\" alt=\"\" width=\"577\" height=\"865\" data-sizes=\"auto\" data-srcset=\"https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Bridal-2-667x1000.jpg 667w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Bridal-2-683x1024.jpg 683w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Bridal-2-100x150.jpg 100w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Bridal-2-768x1152.jpg 768w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Bridal-2-450x675.jpg 450w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Bridal-2-225x338.jpg 225w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Bridal-2-20x30.jpg 20w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Bridal-2-64x96.jpg 64w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Bridal-2.jpg 900w\" sizes=\"auto, (max-width: 577px) 100vw, 577px\" \/><figcaption id=\"caption-attachment-34891\" class=\"wp-caption-text\">On models: Bridal finery by Jagdish Jewellers Chandigarh.<\/figcaption><\/figure>\n<p><strong>What sets Punjabi jewellery craftsmanship apart from other Indian regions? What are traditional Punjabi ornaments?<\/strong><\/p>\n<p>Punjab, before the partition, was known for its kundan and jadau jewellery, which was made mostly with coloured gemstones. Emeralds, rubies, and sapphires were used extensively giving Punjabi pieces a unique vibrancy and identity. Pre-partition, greater Punjab, including cities like Lahore heavily influenced this style. Punjabi jadau had subtle differences from the Rajasthani jadau that we see today, particularly in execution. In the former, deeper cavities and more gold were used to fit in large coloured gems.<\/p>\n<p>Amritsar was a major production centre of this kind of jewellery. However, over time, the quality deteriorated as manufacturers prioritised scale and exports over time-honoured craftsmanship. If the historical standards had been maintained, Punjabi jadau jewellery would have retained an even stronger unique identity across the subcontinent today.<\/p>\n<p>About 14-15 years ago, we revived the <em>Mang Tikka<\/em>, a distinctly Punjabi traditional jewellery form. For years, it had been forgotten outside of Punjab. We ran ad campaigns for several years, highlighting the correct design and form of the traditional Punjabi <em>Mang Tikka<\/em>. Gradually, it began appearing in movies and at celebrity weddings. While in Punjab the <em>Tikka<\/em> is worn mostly by the bride and her immediate family, today we see more women wearing it as part of their stylish ensembles at weddings or religious functions. Over time, we also started celebrating other popular <em>Sheesh<\/em> or head ornaments like the Punjabi style <em>Mattha-Patti<\/em>, which are now commonly seen across diverse cultures in India and abroad, even in regions where they were rarely featured earlier.<\/p>\n<figure id=\"attachment_34892\" aria-describedby=\"caption-attachment-34892\" style=\"width: 537px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-34892 lazyload\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" data-src=\"https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Mrunal-Thakur-666x1000.jpg\" alt=\"\" width=\"537\" height=\"806\" data-sizes=\"auto\" data-srcset=\"https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Mrunal-Thakur-666x1000.jpg 666w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Mrunal-Thakur-682x1024.jpg 682w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Mrunal-Thakur-100x150.jpg 100w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Mrunal-Thakur-768x1152.jpg 768w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Mrunal-Thakur-450x675.jpg 450w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Mrunal-Thakur-225x338.jpg 225w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Mrunal-Thakur-20x30.jpg 20w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Mrunal-Thakur-64x96.jpg 64w, https:\/\/gjepc.org\/solitaire\/wp-content\/uploads\/2026\/01\/Mrunal-Thakur.jpg 805w\" sizes=\"auto, (max-width: 537px) 100vw, 537px\" \/><figcaption id=\"caption-attachment-34892\" class=\"wp-caption-text\">Actor Mrunal Thakur collaborated with Jagdish Jewellers Chandigarh for a campaign.<\/figcaption><\/figure>\n<p><strong>You have collaborated with high profile designers and celebrities like JJ Valaya and Mrunal Thakur. How effective are such celebrity placements and social media presence in promoting heritage jewellery?<\/strong><\/p>\n<p>Celebrity placements do not generate direct sales but raise awareness and visibility. Social media has proven more effective than traditional print media, allowing clients to explore products conveniently. Advertising is necessary, but we keep it minimal, targeted, and meaningful, focusing on educating clients rather than flashy campaigns.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the legendary courts of erstwhile princely Punjab, a jeweller\u2019s reputation rested on time-honoured craftsmanship, integrity, and the rare quality of gemstones. It was an era when, for the jeweller, customer satisfaction in the form of genuine appreciation took precedence over commercial gains. Jagdish Jewellers, Chandigarh, is a heritage jewellery house that once served the&hellip;<\/p>\n","protected":false},"author":15,"featured_media":34888,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107,79],"tags":[],"thb-sponsors":[],"class_list":["post-34887","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-retail","category-viewpoint"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v14.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Jagdish Jewellers Chandigarh: Preserving inheritance of Punjabi Craftsmanship - Solitaire magazine is a International jewellery magazine - India\u2019s leading B2B gem and jewellery magazine<\/title>\n<meta name=\"robots\" content=\"index, follow\" \/>\n<meta name=\"googlebot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"bingbot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/gjepc.org\/solitaire\/jagdish-jewellers-chandigarh-preserving-inheritance-of-punjabi-craftsmanship\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jagdish Jewellers Chandigarh: Preserving inheritance of Punjabi Craftsmanship - Solitaire magazine is a International jewellery magazine - India\u2019s leading B2B gem and jewellery magazine\" \/>\n<meta property=\"og:description\" content=\"In the legendary courts of erstwhile princely Punjab, a jeweller\u2019s reputation rested on time-honoured craftsmanship, integrity, and the rare quality of gemstones. 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